Brennan, Marcia, Alfred Pacquement, and Ann Temkin. You might try using the wildcards * and ? ''It's absolutely crazy what they did,'' says one New York dealer. [2], Sheikha Fariha al-Jerrahi leads devotional prayers, ceremonies of divine remembrance, and provides spiritual guidance to initiates from her seat at the Dergah al-Farah in downtown Manhattan. Hopps, a well known presence in the field of contemporary art, comes from California and made a reputation early on as director of the esteemed Pasadena Museum of Art. [1] Contents 1 Biography 2 See also 3 References 4 External links Biography [ edit] She was born in 1947 into a socially committed, eclectic French Catholic family in Houston, Texas. [14] They were instrumental in the Contemporary Arts Association's decision to hire Jermayne MacAgy as its director; she curated several groundbreaking exhibitions, including "The Sphere of Mondrian" and "Totems Not Taboo: An Exhibition of Primitive Art. After the Nazi invasion of France, Dominique fled Paris with her then-three children (Georges was a babe in arms), made her way to Spain and at Bilbao boarded a small freighter for Havana. ''They came as intellectuals to an intellectual void,'' says Isaac Arnold Jr., chairman of Houston's Museum of Fine Arts and also of Quintana Petroleum. I spent hours talking with John about world politics and philosophy. At the age of 29, she met her mentor and guide on the path of Sufism upon his first visit to the Americas, Sheikh Muzaffer zak k al-Jerrahi of Istanbul. ''He made us greedy,'' Dominique says, remembering that the priest once appeared for lunch with a Rouault painting under his arm. Coordinated by civil rights activist and later U.S. Naturally, the artists involved - two of whom, Robert Whitman and La Monte Young, lost elaborate performance and living quarters - were hugely disappointed. (5) Philippa (Anne Caroline Philippa de Mnil) (born June 13, 1947) - A co-founder of the Dia Art Foundation. ''I get that so much from my mother - decide what you're aiming at and strike out after it. '', See the article in its original context from. ''Dominique and John were entirely separate people who worked not so much together but in parallel ways,'' suggests Fred Hofheinz. Dominique de Menil (ne Schlumberger; March 23, 1908 December 31, 1997) was a French-American art collector, philanthropist, founder of the Menil Collection and an heiress to the Schlumberger Limited oil-equipment fortune. One of the first International Style residences in Texas, it generated controversy not only by standing out amongst the mansions of River Oaks but also by pairing Johnson's clean, modernist lines with a bold color palette and eclectic interior design by Charles James. [25], The de Menils had originally made plans to build the Rothko Chapel in 1964 when Dominique de Menil commissioned a suite of meditative paintings by Mark Rothko for an ecumenical chapel intended for the University of St. Thomas as a space of dialogue and reflection between faiths. Their collection was motivated by their shared interest in the many ways individuals over different cultures and eras reveal through art their understanding of what it means to be human.[7]. After a substantial inheritance from their Schlumberger grandmother, nothing more would be forthcoming, the children were given to understand. The story goes back to the early 70's when Heiner, a European dealer, transferred his activities to New York, while retaining his interest in his Munich gallery. Now I have a vocation and much better bearings.''. The children and their mother also occasionally drop in on Val-Richer, the vast estate in Normandy passed down by Schlumberger ancestors. For years, she has quietly but wholeheartedly backed the work of such performance artists, dancers and musicians as Robert Whitman, La Monte Young, Robert Wilson, Twyla Tharp, Philip Glass, Trisha Brown and Terry Riley. Ever since, Dia's mission has been to commission, support, and present site-specific long-term installations and single-artists exhibitions to the public. THE DE MENIL FAMILY: THE MEDICI OF MODERN ART, https://www.nytimes.com/1986/05/18/magazine/the-de-menil-family-the-medici-of-modern-art.html. Hickey-Robertson. ''I'm extreme and I have strong tastes,'' says Christophe, who is also an excellent though unexhibited photographer. So hooked were they that, ''We went crazy,'' says Dominique. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. [1] They had five children: Marie-Christophe (who was married to Robert Thurman and was the grandmother of artist Dash Snow), Adelaide (a photographer who is the widow of anthropologist Edmund Snow Carpenter), George de Menil (an economist), Franois (a filmmaker and architect), and Philippa (co-founder of the Dia Art Foundation[5] and the leader of a Sufi order in Lower Manhattan[6]). (As one Texan commented, ''The de Menils have done so much good with so little money,'' pointing out that their wealth was ''really peanuts, compared to some fortunes down here.'') He met Philippa through Helen Winkler, an employee of the Menil Foundation. Soon, Rice was a beehive of arts activities. .''. [35], De Menil's final project was a 1996 commission of three site-specific light installations by Minimalist sculptor Dan Flavin for Richmond Hall, a former Weingarten's grocery store in Houston. A good part of the Menil Collection comprises objects of African and other tribal art, and the foundation began, in 1961, a long-range research project, ''The Image of the Black in Western Art.'' tion in 1974, run by Philippa de Menil, Heiner Friedrich and Helen Winkler. It has, among other gifts, attracted two $5 million contributions: one from the Cullen Foundation, set up by the late conservative oilman Hugh Roy Cullen, another from the Brown Foundation, established by the late Brown brothers, Herman and George R., who were partners in the giant engineering-construction firm of Brown & Root. Georges and Lois de Menil have not lagged behind. Hewing to the European tradition of millionaire radicals, they came to be Houston's most rewardingly subversive citizens, bringing maverick ideas to the provinces about art, politics and what to do with money. De Menil's largesse had created a kind of refuge from the speculative market in art then taking shape in New York, and a new canon of monumental, spiritually charged epics: a SoHo gallery floor buried, permanently, wi th black ear th; a hollowed-out volcano, transformed into a science-fictional archaeo-astronomical laboratory for perceptual flight; a Promethean bed of nails poking dangerously into the desert sky, awaiting some gargantuan penitent. She studied mathematics and physics at the Sorbonne in Paris in 1927-28 . ''Once the children had the disposal of their own fortunes,'' Dominique says, ''John and I never wanted to interfere.'' A European artist, who is a friend of Adelaide's and Ted's, remembers making an appointment through them to see Dominique on a visit to Houston. They were an extraordinary couple. ''It was the most extraordinary thing that ever happened in Houston.''. [32], Dedicated on June 7, 1987, the Menil Collection exhibits objects from John and Dominique de Menil's collection, including selections of African Art, a vast collection of Surrealist pieces, and the work of a number of contemporary American artists such as Jackson Pollock, Barnett Newman, Clyfford Still, Robert Motherwell, Cy Twombly, and Mark Rothko. He remembers admiring a photograph by Henri Cartier-Bresson at Adelaide's house. Though the collection has strengths in Mediterranean antiquities, Eurasian and European artifacts, African art, Cubism, Surrealism and contemporary American and European works, it lacks a museum ''profile.'' Its basis was a device that was lowered by cable into the ground to measure the electrical resistance of formations in the earth. ''Dominque said, 'I'll take it,' and she bundled herself in a tacky fur coat and went trudging through the rain, arriving at Levi-Strauss's looking like a drowned rat. Over the course of nearly 20 years, beginning in the late 1940's, they set up a full-fledged art and art history department, hiring -and paying for - teachers, researchers and what one of the former de-scribes as ''others with whom they have loose and flexible arrangements.'' The Dan Flavin installation consists of two horizontal green fluorescent lights on the eastern and western sides of the building's exterior, two sets of diagonal white lights on the foyer walls, and a large work in the main interior space featuring pink, yellow, green, blue, and ultraviolet lights. They have been adventurous patrons, perhaps less concerned than many with the kudos and the cash that go with art patronage in American society. John liked to gather the interesting, the creative and -by Houston's standards - the outrageous around him: black activists, artists, poets, renegades of every sort. After his death, he lay in state, wrapped in a sheet in his own bed. And when John died in 1973, he left his estate in part to Dominique and in part to the Menil Foundation, set up in 1954 to support ecumenism, education, the arts and minority causes. ''Each of the children,'' says Adelaide now, ''would have preferred his or her own choice of architects, but after all, it is my mother's museum. Helped by Citizens for Good Schools, a progressive organization supported by de Menil money, Everett won his seat, along with the other three candidates supported by the citizens group. He later realized who had delivered the manuscript and wrote her a note.'' [30], In the 1980s de Menil again began looking for an architect to design the museum, eventually commissioning Renzo Piano, a renowned Italian architect known for his provocative Centre Georges Pompidou building in Paris, to come up with a design that would fit her vision for the museum. Designed by the architect Charles Gwathmey and built at a reported cost of $6 million, the house - called ''Toad Hall'' by its owner - is a fantasy version of a luxury ocean liner, with a three-story greenhouse, screening room, game room, exercise salon, wine cellar and the obligatory swimming pool. And next month, Dominique de Menil, the family matriarch (her husband John, ne Jean, died in 1973), will see the completion in Houston of a new $21 million museum known as the Menil Collection, minus the de, in the interest of simplicity. In 1974, Friedrich and his future wife, Philippa de Menil, the youngest child of Dominique and John de Menil of the Schlumberger oil fortune, created the Dia Art Foundation. Schlumberger Ltd. - tHE Source of the de Menil family's fortune - was established in 1934 by Conrad Schlumberger, Dominique de Menil's father, and Marcel Schlumberger, her uncle. In 1980, the woman she was had become a Sufi dervish named Fariha al-Jerrahi, and when the house of Dia fell, she moved on. Photo by Michael Schmelling Institute of Religion Accepts Controversial Broken Obelisk.. Soon the couple was on a collecting spree, venturing from Cezanne to Braque to Picasso, then - under the influence of the dealer Alexander Iolas - heavily into Surrealism. Schlumberger is still the global leader in well logging, and has expanded over the years into the manufacture of electric and gas meters, transformers, microcircuits, instruments and test systems for aerospace and other industries. Since its inception, the chapel has witnessed all manner of events, from high-minded colloquia to weddings, bar mitzvahs, a Sufi ceremony by whirling dervishes from Turkey, a reception for the Dalai Lama and avant-garde concerts. Seven years later, John joined Schlumberger Ltd. Their backgrounds were very different. They helped make a black militant who hated white people into a humanitarian.'' Says Philip Johnson, who met Dominique and John when they were ''still living in a tract house'' in Houston, ''They were unpretentious, yet arrogant enough. He took the the couple around to galleries, singing the praises of the modernists. (Spookily enough, another dwelling she had built on the same site about 20 years ago met the same end.) Ingersoll, Richard. ''In the here and now, with great acuity and effectiveness; but also, at a moment's notice, in the Kingdom of Benin or the Byzantine Empire.'' [18] The de Menils supported Rice University astrophysics professor Donald D. Clayton for a two-week residence in Rome in JuneJuly 1970 for daily work with Rossellini,[19][20] conceiving a film about cosmology that did not advance to filming but that was published in 1975 as a personal memoir of a life discovering the universe. . key biscayne triathlon 2022 Dr. Martin Luther King was assassinated, they offered it to the city of Houston on condition that it be dedicated to the black leader. Adelaide, two years younger and known as Addie to the family, is a photographer, and travels with Ted Carpenter on a far-flung anthropological and collecting beat. (Once, for instance, he surprised the dance critic Jill Johnston with a round-trip ticket to England, so she could visit her birthplace.) Of the siblings, she has also undertaken the most wildly ambitious involvement with the arts, as patron of the financially troubled Dia Foundation, whose aim is to support venturesome artists' projects of a nature or scale that make it difficult to obtain other backing. The founders had . Later in his life, spending more time in New York, he would give lavish dinners for them and make the rounds -in a chauffeured limousine -of poetry readings, performances and parties, bestowing gifts on those who interested him. Christophe, a tall, graceful woman, who has a long history of supporting ''difficult'' art projects, began designing costumes for Robert Wilson in 1981. But one family member suggests that the figure ''could easily be twice that amount.'' T HE SECOND-GENERATION de Menils all have established their own lives and embarked on their own projects - though none, perhaps, with the drive and range of their parents' activities. menil? Dominique and John de Menil, circa 1967. The couple also has a house in Bridgehampton, L.I., and a 60-square-mile holding in Texas, known as Mesquite Ranch, that is being restored, possibly for use as a retreat or conference center. [1] They commissioned Henri Cartier-Bresson to photograph the 1957 American Federation of Arts convention, held in Houston that year, and worked with photographers such as Frederick Baldwin and Wendy Watriss, who went on to establish FotoFest, and Geoff Winningham, who served as head of the photography department at Rice Media Center. In a stronghold of segregation, they not only backed civil rights and Martin Luther King, but entertained blacks at dinner. Playing savior to old buildings in the area, she and Ted Carpenter have rescued 15 of them and restored most, with the aid of the Houston architect, Howard Barnstone, a longtime family friend. ''Before that it was the old Bourbon alliance, blue-collar whites and white-collar businessmen. Modern Reliquary: In a New Houston Museum, Francois de Menil Crafts an Authentic Setting for Two Byzantine Frescoes., Last edited on 16 December 2022, at 21:42, Houston-based oilfield services corporation. The rest of John's and Dominique's estates would go to their own causes. She said. Adelaide wished that the starkly modern house, designed by the then-Mies-disciple Philip Johnson, could be like everyone else's. And she was surrounded by accomplished relatives. ''Each branch of the Schlumberger clan has a wing,'' Christophe explains. [26] It was established as an autonomous organization the next year and began hosting colloquia, beginning with "Traditional Modes of Contemplation and Action," which brought together religious leaders, scholars, and musicians from four continents. ''It was very grand and typically him,'' says Adelaide. Heiner has helped me step out into life.''. BUT, AS DOMINIQUE likes to point out, she and John didn't start out rich. Someone recommended a Surrealist painter named Max Ernst to decorate a wall of their apartment; disliking his proposal, the newlyweds commissioned from him instead a portrait of Dominique. [1] She was awarded the National Medal of Arts in 1986. Dominique de Menil, Quoted in Browning 1983, 37. Indeed, shuttling among residences in Houston, New York and Paris, Dominique has a heavy agenda. After being met with increasing resistance by the more traditional Basilian clergy at the University of St. Thomas, in 1969 the de Menils moved the art departmentincluding the art history facultyand Media Center to Rice University, where they founded the Institute for the Arts to manage the exhibition program at Rice Museum. Yet these holdings, together with those of the nearby Museum of Fine Arts and the Contemporary Arts Museum, should boost Houston's cultural status to that of a world-class center for the visual arts. When their children were still young, and Schlumberger shares were worth comparatively little, John and Dominique de Menil decided they would put half of their holdings in trust funds for each of their five children. It was inescapable. Description Art and Activism surveys John and Dominique de Menil's projects in art, architecture, and civil and human rights, initiatives that deeply affected the city of Houston and often national and even international communities. They have also come to the aid of liberal-left politicians and Islamic religious groups, avant-garde music and counterculture films, archeological digs and art education, Long Island fishermen and anti-Vietnam activists. ''For instance, there was a big purple and yellow canvas by Leger, and I hated to take my friends through the hall where they could see it. ''We even borrowed money to buy art. ''Things just happen to me.'' During an earlier school board election, the de Menils helped launch the political career of Mickey Leland, a young black militant from Houston's grubby Fifth Ward, who is now serving his fourth term in the United States Congress. Now it's a coalition of businessmen and minorities who run the city.''. ''But there were all these weird paintings hanging on the walls,'' she says. Date of birth 1947 Birth place Houston, USA Philippa De Menil Siblings Philippa De Menil Age 71 (approx.) [2][3][4][5] Sheikh Muzaffer also gave direct transmission to fellow American dervish Sheikh Nur al-Anwar al-Jerrahi, who envisioned a radical and illumined path of the heart which he called Universal Islam. ''You support artists by buying their work, not by making shrines to them.''. Today, Dominique says, her relationship with the still-small institution is ''very friendly. [1] After Jermayne MacAgy's death in 1964, de Menil took over her classes and became the chairperson of the art department at the University of St. Thomas, curating several exhibitions over the next few years. I never really wanted to collect, but the idea of a foundation that would help artists build excited me. "I dreamed of preserving some of the intimacy I had enjoyed with works of art," she wrote. In 1974, Fr ''We changed the basic political structure of Houston,'' says Hofheinz -now chairman of Tangent Oil and Gas - whose four-year mayoral stint corresponded with Houston's ''go-go'' period of growth. Why Not Dedicate Art to King, De Menil Asks City Council., Richard, Paul. Her ideas are defended by her son-the-architectural-student. German gallery owner Heiner Friedrich, Fariha Friedrich (ne de Menil) and Helen Winkler Fosdick founded Dia. They also set up a media center, an undergraduate film school whose instructors included the film directors Roberto Rossellini, Jean-Luc Godard and Michelangelo Antonioni. [1], John and Dominique de Menil began collecting art intensively in the 1940s, beginning with a purchase of Paul Czanne's 1895 painting Montagne (Mountain) in 1945. Eventually - despite their contributions of time and art - their ambitious projects brought them into conflict with budget-minded trustees. Friedrich has exhibited works by Blinky Palermo, Walter De Maria, Donald Judd, La Monte Young, Andy Warhol, Michael Heizer, and Joseph Beuys, among others in his galleries in Germany, but became less interested in short term gallery installations and through Dia began to collect, and support majo The building, primly sheathed in what one Houstonian calls ''Protestant gray clapboard'' (probably a first for a museum in this country), has on the ground floor exhibition spaces set in a landscaped garden. For starters, in a locale where the ideal home was a formal white-pillared mansion, the de Menils got Philip Johnson to do them a sprawling, one-level house. "[15] In 1954 they founded the Menil Foundation, a non-profit organization dedicated to the "support and advancement of religious, charitable, literary, scientific and educational purposes".[16]. On the other hand, she can be imperious. Hugetz, Edward, and Brian Huberman. Today, while Dominique still administers the Institute for the Arts, and contributes to such programs as fellowships for graduate students in art history, the de Menil presence there has shrunk considerably. That same year they provided the University of St. Thomas, a small Catholic institution in Houston, with funding to build Strake Hall and Jones Hall, designed by Philip Johnson per their recommendation. ''Christophe and I had chicken pox,'' remembers Adelaide. [1], She was born in 1947 into a socially committed, eclectic French Catholic family in Houston, Texas. Married to Susan Silver, a Barnard graduate (their son was born in January), he collects contemporary art, furniture, craft objects of the turn-of-the-century Vienna Secessionist school and rare books on art and architecture. As a trustee there, John was responsible in 1961 for bringing in as director the distinguished but controversial James Johnson Sweeney, former director of the Guggenheim Museum in New York. [29] The Foundation offered the CarterMenil Human Rights Prize, sponsored by the Rothko Chapel, to organizations or individuals for their commitment to human rights. She recently bought another place near Sag Harbor, and in Manhattan she has a splendid three-story former carriage house with a swimming pool on the ground floor, redone with help from the Los Angeles architect Frank Gehry and the ''light sculptor'' Douglas Wheeler. [1] American Sufi leader The project, not universally appreciated by black scholars who tend to feel the emphasis should be placed on what blacks themselves have created, has so far published two books on the subject. Whitman brought a suit against Dia, which is pending. Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. French expats who left Paris for the United States during World War II, the de Menils were the heirs to multiple fortunesincluding Dominique's family's booming oil equipment company . Each is not only glamorously housed in Manhattan, most of them on the Upper East Side, but also has one or two lavish residences elsewhere -Paris, Texas, the Hamptons. It will house the more than 10,000 objects acquired by the couple. she subsidized a lobbying effort on their behalf. battle of omdurman order of battle. . And in a place where modern art was still regarded with suspicion, these ''pioneer cultural wildcatters,'' as one Houstonian calls them, established one of the world's outstanding collections, mounted shows and gave works to institutions - adding insult to injury by bringing the artists themselves to town. Anyone can read what you share. Since its 1980 high of 87 1/8 a share, the Schlumberger stock has slipped to its present $30 or so, due in part to the sluggish oil market. Then you can see how a Communist lives.'' Friedrich and his then wife Philippa de Menil, together with Helen Winkler, established the Dia Art Foundation in 1973. (To help finance this expensive venture, she sold a number of important paintings last year at Sotheby-Parke Bernet, realizing more than $2 million. So serious, in fact, was the recent plight of Dia that Dominique asked her son Georges, a trustee of Philippa's inheritance, to help. ''The things I've collected resemble the sort of works my parents acquired, but maybe less broad in range and less expensive,'' he says, pointing out, on a hall wall, a favorite Braque painting of his father's given him by Dominique. Christophe, for example, was once chided by an East Hampton hostess for not showing up at a party. Beyond the family, their influence has been substantial, too. Easily the most spectacular residence is Francois's, built a few years ago on seven acres of expensive East Hampton beachfront as a vacation retreat from his handsome Manhattan apartment. Born 1947 Start a FameChain Trivia Philippa De Menil Family View Philippa De Menil's Family Tree and History, Ancestry and Genealogy [1] At Rice, the de Menils also cultivated their interest in film, working with such noted filmmakers as Roberto Rossellini, who made several trips to Houston to teach Rice University students and create television documentaries. '', ''I wanted a functional museum and they wanted great architecture,'' comments Dominique. An informal art historian and teacher, Dominique has also organized some remarkable exhibitions, innovatively installed. She received direct transmission from him in 1980. A more reticent, but still attention-getting, project is Adelaide's 40-acre housing complex, set in a former potato field not far from Francois's establishment. To supple-ment the scanty family income, John dropped out of school to work in a bank. With the guidance of the Dominican priest Marie-Alain Couturier, who introduced the de Menils to the work of artists in galleries and museums in New York, they became interested in the intersection of modern art and spirituality. (Such involvements were not confined to Houston, however; among other affiliations, John was a trustee of the Museum of Modern Art and the Museum of Primitive Art in New York.) Dominique de Menil appears regularly in Forbes magazine's annual listing of the 400 richest people in America, with an estimated worth of ''at least'' $200 million in Schlumberger stock and art alone. Dominique de Menil (ne Schlumberger; March 23, 1908 - December 31, 1997) was a French - American art collector, philanthropist, founder of the Menil Collection and an heiress to the Schlumberger Limited oil-equipment fortune. 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